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In the world of modular synths you frequently use at least 3 key parameters. In video synthesis there seems to be just way too many to get your head around - but hey, isn't that exciting at the same time? I was trying to focus on the basics and found some possible connections between analog modular audio & video synthesis. They seem to belong to the same language family, yet they are entirely different in a few respects.
XAOC Devices did not surprise us with a warm and heavy-sounding analog filter like Belgrad or Kamieniec. They want us to count our blesses. The analog computer system which was started by Drezno and Lipsk may seem odd at first time, yet their visual information and modular background had given us a tool that will be useful in almost every patch.